Our Recommendations
Indulge your appetite for arts and culture.
With so many exciting arts and culture events happening you can feel overwhelmed. The Music on Main Team is here to help! We’ve carefully chosen a list of wonderful digital and live events to discover and experience. Whether you’re looking for a theatrical diversion or a blockbuster art show, some new dance or a classical concerto, our recommendations is a list of must-see events whenever you’re looking for a hit of culture. Make sure to check back often, as we are always scouting fun events that we think you’ll love!
Our Recommendations are must-see events, some from our Vancouver home base and a few from across the globe that we think you’ll enjoy. We’re your trusted source that you’ll want to come back to every time you’re looking for something new and exciting to discover. If you’re looking for only Music on Main events check here.
Left of PuSh RELAY
On January 28 and 31st Plastic Orchid Factory partners up with Mile Zero Dance, Studio303, and the CanDance Network to facilitate RELAY, a tri-city handoff where three mid-career artists will carry their works from Montreal, to Vancouver and then Edmonton; Moving from seedling ideas, to full production — developing, and refining their propositions at each stop.
Features Camille Huang’s “Puncture and Pull”, interdisciplinary performance “Do You Love Me?” by Kait Ramsden and “fort.” by Stephanie Cumming & Chris Bullough.
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Russell Wallace’s Saltchuck City Orchestra klatwa Album Release
Saltchuck City Orchestra – Klatwa Album Release – Saturday, February 7th, 2026
Vancouver Community College – Broadway Auditorium
1155 E Broadway, Vancouver
Doors: 6:30 PM
Show: 7:30 PM – the orchestra will perform one set, reception to follow
Lil’wat composer and performer, Russell Wallace, celebrates the release of his album Klatwa (Redshift), featuring compositions rooted in his Salish heritage in a concert featuring his ensemble, the Saltchuck City Orchestra
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Ravel’s Boléro
Feel the beat with an evening of pulsing music led by Conductor Naomi Woo. Haydn’s “Drumroll” Symphony kicks things off on a thrilling note, alongside Ravel’s iconic Boléro with driving snare drum and one of the most unforgettable climaxes in classical music. Performed at the BBC Proms in 2022 by percussionist Colin Currie, Nicole Lizée’s concerto for percussion and orchestra, Blurr is the Colour of My True Love’s Eyes, is a tour-de-force inspired by techniques found in stop-motion film and photography.
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INFINITY
The season continues with INFINITY, featuring two of the world’s foremost and truly masterful choreographic voices. Crystal Pite’s Frontier is back following its unforgettable 2024 Ballet BC debut, and the work of Jiří Kylián makes a triumphant return to our stage with the visionary 27’52”.
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MAO FUJITA, piano
After his impressive Canadian debut on our stage in 2023, we were determined to bring this remarkable young Japanese pianist back as soon as possible. For his first VRS appearance he played an all-Mozart program at our request. We were amply rewarded… it’s quite rare to hear a performer of Mao’s age play Mozart so wonderfully. This time his program will illustrate the incredible breadth of his talent.
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Ex Machina & Côté Danse (Quebec City & Toronto)
Since its writing, circa 1599-1601, William Shakespeare’s play The Tragedy of Hamlet, Prince of Denmark has been subject to countless interpretations.
Eschewing words, Ex Machina + Côté Danse’s Hamlet, Prince of Denmark reinvents the archetypal drama into something raw and immediate. Canonical soliloquies that parse the darkest of human instincts and actions: corruption, suicide, betrayal and murder find a riveting new form.
Expanding upon their previous collaboration Frame by Frame (inspired by the work of visionary animator Norman McLaren), co-creators Robert Lepage and Guillaume Côté bring their respective genius to Shakespeare’s most famous work. Côté embodies the central character, wrestling with existential questions of being and nothingness, while Lepage, a master of multiple theatrical disciplines, infuses the Bard’s epic tale of intergenerational trauma with contemporary relevance.
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